By
East Side Slim
The
Legendary Rhythm & Blues Revue – Command
Performance – Delta Groove, 2008
The
Legendary Rhythm & Blues Revue is an aggregation
of blues/roots musicians who first came together
while taking part in the October 2007 Legendary
Blues Cruise. The core of the group consists of
Tommy Castro (guitar), Deanna Bogart (piano, organ
and saxophone), Magic Dick (harmonica) and Ronnie
Baker Brooks (guitar). They enjoyed playing together
so much that the show was taken on the road after
they reached shore, and they have toured across
North America, and likely overseas, on a semi-regular
basis since 2008.
The backing band on the majority of the tracks on
the CD is basically the Tommy Castro Band: Keith
Crossan, Chris Sandoval and Scot Sutherland, with
the addition of Tom Poole on trumpet. Ten tracks
on the CD were recorded at various California venues,
and 3 tracks were actually recorded on, or during,
a Blues Cruise. The 3 Blues Cruise tracks are augmented
by several additional musicians, including Curtis
Salgado, Marcia Ball, Elvin Bishop and Mike Emerson.
The Songs: (songwriter listed in parenthesis)
1. Can’t You See – (Ronnie Baker
Brooks)
--The set opener, this rocker kicks off the CD with
the “energy knob” turned up to 11, which
everyone knows is 1 better than 10. Ronnie Baker
Brooks has the vocals here, Deanna Bogart is pounding
the keys, and the horn section is blasting away.
Ronnie doesn’t take a solo turn on guitar
until the last minute of the song; this cut is definitely
piano and horn driven.
2. I Feel That Old Feeling Coming On –
(Scott Nafloyd/Nash Knox)
--Tommy Castro sings on this track, and he does
a great job. The tune is a soulful bluesy R&B
romper typical of much of Castro’s solo work.
It has great horn charts, with a horn section made
up of 2 saxophones (including Deanna Bogart’s),
a trumpet and Magic Dick on harmonica.
3. Whammer Jammer – (Juke Joint Jimmy
Walden)
--This is the Whammer Jammer made famous by Magic
Dick (careful how you say that in a crowd…)
in his J. Geils days. This version is a little different,
as his harp mic malfunctioned during the live show
and he played his harp through his vocal mic. One
bonus to that (as mentioned in the liner notes to
the CD) is that every sound you hear is produced
by Magic Dick, since he wasn’t playing through
his harp amp at the time. Mr. Salwitz (M.D.’s
real surname) can flat out play – Magic Dick
on the lickin’ stick!
4. Still the Girl in the Band – (Deanna
Bogart)
--This song features Deanna Bogart’s first
vocal turn on the album. It is a mid-tempo tune,
more R&B than blues (which is just fine), featuring
Deanna’s piano playing. It’s a long
track, too, so it allows a little solo space to
some of the other band members as well. Fans of
bluesy piano should enjoy this cut very much.
5. See You Hurt No More – (Ronnie
Baker Brooks)
--This tune is a rock-blues ballad, sung by Ronnie
Baker Brooks. He also plays the guitar here, mostly
in a style closer to that of Jimi Hendrix than to
more traditional blues players. Ronnie’s style,
especially when he gets really rock-ish, isn’t
always my cup of tea, but fans of high-energy guitar
will be quite satisfied.
6. If It Ain’t Me – (James A.
Lane - “Jimmy Rogers”)
--Here is the 1st track on this CD actually recorded
onboard a Legendary Blues Cruise. It is an old Jimmy
Rogers tune, hard-core Chicago blues, featuring
Curtis Salgado on both vocals and harp. This is
one of the most traditional sounding blues tune
on the album, and it sounds very good. According
to the liner notes, both Marcia Ball and Deanna
Bogart are playing piano, and Mike Emerson is sitting
in on B3 organ. Salgado wails on harp, something
you rarely get to hear from him on recorded music.
His live shows are another story altogether; the
man is a wonderful, soulful harp player, and one
of the best blues/soul singers working today.
7. If I Had a Nickel – (Tommy Castro/Keith
Crossan)
--This tune features the talents of Tommy Castro,
and is basically his working band along with the
addition of trumpeter Tom Poole. Although uncredited,
there is also an organ player here, likely Deanna
Bogart. This is a slow-ish, slinky, kinda greasy
track, allowing Tommy to work the vocal hard. He
even gets to play up a storm on guitar – possibly
due to the influence of Ronnie Baker Brooks. Tommy
couldn’t let himself be outplayed, at least
not without a fight.
8. Will It Go Round In Circles – (Billy
Preston/Bruce Fisher)
-- Yep, this is the old Billy Preston nugget. Deanna
leads the band this time around with her vocals
and piano work, and Ronnie Baker Brooks sings the
2nd, or response, vocal. The band keeps things nice
and funky, with all the main characters getting
a nice solo turn apiece.
9. She’s Nineteen Years Old –
(McKinley Morganfield)
--Needless to say, this is a hard blues number.
As it’s an old Muddy Waters chestnut, what
else could occur? Magic Dick is featured on harmonica,
and Ronnie takes the vocals very deep into Chicago
blues. Ronnie takes extended solo runs here, and
I enjoyed the tone of his guitar more here than
on tracks where he plays more in a Hendrix-inspired
style. Baker Brooks sings and plays with enormous
energy and emotion throughout the CD.
10.
Tell Me Mama – (Walter Jacobs)
--Magic Dick is the featured performer, which makes
sense as this is an old Little Walter tune. M.D.
even takes the vocal here (the only track on the
CD he sings lead on.) The band performs this as
a straight old-school blues, with the only histrionics
occurring when Magic Dick peels off a couple nice
solos. The more harp I hear from Dick, the more
I like him.
11.
Looking for a Love – (James W. Alexander/Zelda
Samuels)
--Looking for a Love… Does anyone remember
the J. Geils Band’s version of this tune from
the ‘70s? Well, that’s what you’re
getting here. Tommy Castro does his best to do Peter
Wolf justice while he sings, and Magic Dick is blowing
harp all over the place. Deanna Bogart sings a verse,
too, but it isn’t raw enough to do justice
to he frenzied tempos and energy of the song. Castro
sings the majority of the tune, and carries if off
well.
12.
High on the Hog – (Tommy Castro/Dennis Walker)
--Tracks 12 and 13 were both recorded live on the
Legendary Blues Cruise. This tune, High on the Hog,
has a definite Elvin Bishop feel, or at least it
does to me. It’s just got that funky struttin’
rhythm and good-timey jivey feel a lot of Elvin’s
tunes do. Just to cement the tie, Elvin played guitar
on the tune, being credited with the 3rd solo –
his solo comes after Magic Dick’s solo, so
it is easy to find; Tommy even shouts him out. This
is a fun tune; turn the volume up LOUD and let your
body get on up and move around! Don’t turn
the tune off too early, as Deanna Bogart and Mike
Emerson engage in some keyboard wars just after
the 6 minute mark of the song.
13.
Sea Cruise – (Huey “Piano” Smith)
--What would a blues cruise-inspired CD be without
a song like Sea Cruise. It’s a natural fit
for sure. This is a rollicking version of the song.
For something a little different, Marcia Ball takes
the lead vocal and plays the piano, and Curtis Salgado
is supplying background vocals. It’s nice
to hear Marcia playing and singing this hard; she’s
smokin’!
The Verdict:
Command Performance is a
nice document of the recent tours conducted by The
Legendary Rhythm & Blues Revue. The tracks on
the album were recorded at several noted California
music venues, as well as on the actual Legendary
Blues Cruise. The primary members of the “group”,
Tommy Castro, Deanna Bogart and Ronnie Baker Brooks,
are all well known for their own high intensity
and incredibly entertaining live shows when leading
their own bands, and they bring that love of performing
to the songs heard here. Magic Dick, the 4th primary
member of the group, isn’t widely know for
leading his own band, but he was an integral part
of the J Geils band, especially in their bluesier
period. He sounds great on this CD; it would not
be the same affair without his harp work. For those
harp fans out there not familiar with the Magic
of Dick, listen up! While this CD certainly can’t
compete with actually sailing on a Legendary Blues
Cruise, is does give you a taste of what you might
experience musically. Let’s rate this thing
- STLBluesometer rating of 3.50.
Lee Howland
- aka "East
Side Slim"
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