Since
1982 we've been in St Louis all but four (while
on assignment in Texas). In those 17
years I cannot remember a Labor Day weekend
this wet. It was wet enough for the
Festival organizers to move all the acts inside
for the final day. For those who did brave
the weather it turned out to be a real blessing,
though. The "crowds" were much smaller
in each venue and everyone could find a place
to sit, relax and groove to artists who seemed
all the more motivated after battling the
elements to unpack their gear and set up for
their performances.
With
four venues operating there was still a lot
of blues variety and plenty of talent to please
our blues stalwarts. One very talented
group, The Uncle Albert Band, from the Metro East Side of St
Louis, played what many of their regular followers
claimed was one of their best shows ever.
It was my first time hearing them live; I
just thought it was a great performance by
an extremely entertaining band. If you
listen regularly, you're already familiar
with their piano-playing singer, Lisa Campbell
- don't miss our Festival Recap shows, Lisa's
version of "Hard Drivin' Mama" will be the
lead tune. If Uncle Albert ever ventures
out of the Midwest, Marcia Ball (in my opinion,
a blues goddess) will have to stay on her
toes when crowds hear Lisa belt 'em out.
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A new group, The Bottoms Up Blues Gang, continued to "wow" their fast-growing
fan base with their set. They've been
together only a few months but already have
their first CD and not too many copies of
it remaining at that. We should have
their CD later in the week and I'm anxious
to share this very high-energy young group
with you. Their vocalist, Kari Liston,
never lets up for even an eighth note during
the entire show - that's high-energy. And,
the guitar player, Jeremy Segel-Moss, is right
there with her all the way.
Rob Garland and The Blue Monks were closing the evening
at one venue when I stopped in for a few numbers.
They were tearing it up with such ferocity
I almost decided to "stay longer at the fair"
but today's show still was lacking even the
first song or announcement and I was already
exhausted. But, then, Rob and his gang
always deliver dynamite blues whenever they
take the stage and I have their schedule.
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The
main stage moved into the large eatery/watering
hole next door to the outdoors venue.
It's the flagship of a local "chain" called
The Trainwreck Saloon. None of them are trainwrecks
at all but it is a catchy name, right? In
fact, all of their locations are immensely
popular any time of the day. Try their
bison burgers, if you're ever in town!
On
the "main stage" the Albert King Tribute Band
got things rolling. From the first drumbeat,
the blues and good times didn't stop until
they closed the doors. The Tribute Band
is comprised of all alumni of various iterations
of Albert King's bands throughout his career.
Unless one witnesses this unique combination
in person, the best I can describe it as would
be the dream team of blues bands. With
so many alumni reporting for duty when the
dream team gets together, it's only natural
that no one solo instrumentalist or singer
could monopolize the spotlight. So, audiences
are always treated to a wide variety of the
best of the best of veteran bluesmen who worked
and learned the blues from the master who
shaped so much of contemporary blues in St
Louis and Memphis (half the blues "capitals").
They don't play often because the band really
isn't a band as much as it is a family reunion.
But, if you're bound for St Louis or the surrounding
area, be sure you check our local
definitive source for blues news to see
if they're playing at some special event (festival,
etc) and make your plans accordingly.
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After the Tribute Band we were treated to
Sam Carr and the Jelly Roll Kings. Sam
Carr and the late Frank Frost evolved the
Jelly Roll Kings some time in the late 50s/early
60s after they'd worked and toured together
since 1954. What a show! At 77 years
young, Sam Carr still has the energy and drive
of entertainers a third his age. Some
of our local talent sat in with Mr. Carr and
he kept them all extremely busy.
One
of Sam's nieces lives here in St Louis. Earlier
in the evening she was chatting about her
Uncle Sam and just said her uncle would be
showing up later and she'd love for me to
meet him. Later she came to the lobby,
where I was greeting folks for the Blues Society,
to drag me off to meet her uncle. Imagine
my surprise when that Uncle Sam turned out
to be Sam Carr himself. He'd just finished
his show and was sitting with his St Louis
family members so I didn't want to overstay
my welcome. But, we did talk long enough for
him to remind me it was he who hired Frank
Frost originally and not the other way around.
Before I took my leave, Mr. Carr did exact
a promise that the next time I'm in Helena
(Arkansas) I'll stop by and visit - an invitation
any blues lover would be only too anxious
to take. Hmmm. My birthday is in October and
so is Helena's 18th
Annual King Biscuit Blues Festival ...
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The crowning jewel of Monday's festival events
was Johnnie Johnson's act. The Father
Of Rock-and-Roll never fails to thoroughly
energize the crowd, large or small.
Remembering my tenth-grade English teacher's
admonition to never overdo superlatives, suffice
it to say there's a reason anyone who loves
the blues in St Louis reveres Johnnie as a
superstar and rock icons like the Rolling
Stones and Eric Clapton fought so hard to
see Johnnie inducted into the Rock And Roll Hall Of Fame. Johnnie's music speaks
volumes more than any critic or reviewer can
ever say. That's why you'll hear him,
almost daily, on our show. Johnnie's
next "big" performance, by the way, will be
the Old Webster Jazz and Blues Festival in the St Louis suburb
of Webster Groves, September 20, 2003. And,
yes, Johnnie is as much a virtuoso with jazz
as he is the blues. But, if we're not drenched
that weekend, Johnnie will be featuring both
blues and jazz. You'd better arrive early,
though, because last year's festival was so
packed folks were straddling street lamp posts
just to get a glimpse of Johnnie on stage.
While
the weather, no doubt, kept some people away
all three days of this year's festival, those
who did trek downtown were treated to a real
blues festival tour d' force. They won't soon
forget the stellar performances by our headliners
and so many of our local talent who played
their hearts out for appreciative listeners
standing in the rain to hear them. Festival
organizers, musicians and the fans all deserve
real kudos for pulling off such a wonderful
blues event in spite of much less than desirable
circumstances. Historically, St Louis
Labor Days are hot, muggy affairs so next
year's festival, like so many before it, will
probably fare better in the weather department.
If
you missed this year's festival and you
have any plans to be in or near St Louis
next Labor Day, be sure to mark your calendar
now and plan to be at the 12th Annual Big
Muddy Blues Festival. "It's the blues,
ya'll" - the blues the way it's really meant
to be experienced: up close and personal.
Have
a great blues day!!!
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