As
I write this article, listening to the live Blues of Bootigrabbers
Delight on a Blues
Deli saturday afternoon, it drives home this very story.
Everything evolves, so it's natural that also happen to the
Blues here in St. Louis. The Blues
City Deli is the newest addition to the blues community
of St. Louis, a idea come true of Vincent Valenza (former drummer
for Pennsylvania Slim). Great place to catch some Blues and
get great food!
Backtrack
10 years here in St. Louis, and it was the heyday of the St.
Louis Blues Heritage Festival down on the Landing. The folks
at the St.
Louis Blues Society ran the show, and it was a spectacular
event to behold! It was then on it's way to becoming the 3rd
largest Blues Fest in the USA. Always an artistic success, some
venue and financial woes led to the disbanding of the St. Louis
Blues Heritage festival, and the emergence since of the Big
Muddy Blues Fest.
It
was about this time that STLBlues moved our headquarters to
Soulard, right in the heart of the St. Louis Blues scene. On
a summer night, music could be heard wafting in from the Great
Grizzly Bear up the street - where Billy
Peek and the Soulard
Blues Band had alternating weekends for years - and just
down the street from Mike and Mins, where Tommy
Bankhead was still holding court.
If
you were a tourist visiting St. Louis at that time, and asked
the concierge 'where do I go for Blues?', invariably you were
told "go to Soulard"! It was a Blues lovers delight,
since you had numerous Blues clubs, all with the historic flavor
of Soulard. Each within a block or less of each other, a summers
night made a pub crawl a rewarding night of all the flavors
of St. Louis Blues.
BB's
was just re-establishing it's 3rd incarnation on it's way to
becoming a Blues Institution, the Broadway
Oyster Bar was rolling steady on their blues course, and
the Beale
on Broadway was still boarded up, awaiting the transformation
into the funky Blues hotbed it's since become.
These
3 clubs have formed what's locally known as the Blues Triangle,
all located on South Broadway in the shadow of the new Cardinals
stadium (still under construction!)
Soulard
has gradually changed it's theme, now the music scene more resembles
a night on Lacelde's
Landing - rock, alternative, but very little Blues. Hammerstones
is one big exception, where blues loyalty drives them to keep
the flame alive. Lots of the clubs have new owners, and the
importance of keeping Soulard a 'Blues Town' has given way to
the business end of filling the club. Understandable yet sad,
as it's led to the end of an era.
Recently
a vist to the Millenium Hotel gave me the opportunity to once
again ask the concierge 'where do I go for Blues? This time
the answer was very different - "go to the South Broadway
Triangle!" I remember busloads of Blues-seeking conventioneers
arriving in Soulard, but no longer! It's too bad the club owners
of Soulard haven't realized they've lost this valuable tourist
crowd who hunger for a taste of some St. Louis Blues.
The old Off Broadway brought some great Blues talent into St.
Louis, only to change ownership and morph into a rock/alternative
club. And let's tip our collective hat to the efforts of Johnnie
Richards out at Generations, who also created a series of concerts
that St. Louis may never see again. Johnnie often lamented 'Blues
don't fill the place", yet he kept it going for years.
It was difficult to understand why such talent as Tab Benoit,
Guitar Shorty, and a number of others who filled much bigger
venues elsewhere, couldn't seem to get the Blues lovers of the
City to cross this invisible Blues 'chasm' for shows in St.
Louis County. Backstreet Jazz & Blues is still going strong,
due partly to their location at Wesport Plaza, and the fact
they share space with the Funny Bone Comedy Club, capturing
part of that crowd.
The
Big Muddy fest, as it's now known, has kept the annual Blues
festival event alive. Thanks primarily to the efforts of Dawn
Massey of Laclede's Landing, and John May of BB's,
this event still showcases over 40 local and national bands
over a 2 day event. Last year it seemed to backslide some in
both promotion and size, with a smaller amount of stages, and
less local media exposure. Having previously served on the B.O.D.
of the old Blues Heritage fest, it's hard to see this event
begin to lose steam. Dawn Massey stated there's been shrinking
corporate and local merchant support, and informed us "we
do the best we can with our limited resources" (we provide
our take on last years Big Muddy right
here). We at STLBlues continue to publish the Big Muddy
site www.BigMuddyBlues.com,
add it to your 'favorites'.
What
can be done to improve the State of St. Louis blues? More city,
corporate and merchant involvement would be nice, and promotion
of St. Louis as a music town would be great - we're much more
than a sports town! Let us know your suggestions on improving
the State of St. Louis Blues - take our poll, and/or send your
comments and suggestions to Publisher@stlblues.net!
Dave Beardsley
Publisher
:: STLBlues.net
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