“A
major blues talent.”
--Rolling Stone
“Seals
carves guitar licks like a chainsaw through solid oak and sings
like a grainy-voiced avenging angel. A master of gritty, blue-collar
blues.”
--Guitar World
W.C.
Handy Award-winning and Grammy-nominated master Chicago bluesman
Son Seals, 62, died Monday, December 20 in Chicago, IL of complications
from diabetes. The critically acclaimed, younger generation
guitarist, vocalist and songwriter – credited with redefining
Chicago blues for a new audience in the 1970s -- was known for
his intense, razor-sharp guitar work, gruff singing style and
his charismatic stage presence. According to “Guitar World,”
“Seals carves guitar licks like a chain saw through solid
oak and sings like a grainy-voiced avenging angel.” Seals
released 11 albums during his 30-year recording career and toured
worldwide.
Over
the course of his career, Seals was hailed as one of Chicago's
great bluesmen and one of the city's most powerful live performers.
“Musician” stated, “Seals delivers performances
of the most profound emotion…one of the genre's most soulful
exorcists.” His most recent recording was an Alligator
Records career retrospective, “Deluxe Edition,”
in 2002. Among his many accolades, Seals won three W.C. Handy
Blues Awards, one each in 1985, 1987 and 2001, and was nominated
for a Grammy Award in
1980 for his participation in the live compilation, “Blues
Deluxe.”
Frank
“Son” Seals was born in Osceola, Arkansas on August
14, 1942. He became an accomplished drummer by the time he was
13. By the age of 18, Son had put down the drumsticks and was
leading his own band as a guitarist. He moved to Chicago in
1971 and began playing regular weekend gigs at The Expressway
Lounge and other clubs on Chicago's South Side, regularly jamming
with legends like Hound Dog Taylor, Junior Wells and Buddy Guy.
Son's
1973 debut recording, “The Son Seals Blues Band,”
on the fledging Alligator Records label, established him as
a blazing, original blues performer and composer. Son's audience
base grew as he toured extensively, playing colleges, clubs
and festivals throughout the country. “The New York Times”
called him “the most exciting young blues guitarist and
singer in years.” His 1977 follow-up, “Midnight
Son,” received widespread acclaim from every major music
publication. “Rolling Stone” called it “one
of the most significant blues albums of the decade.”
On
the strength of “Midnight Son,” Seals began touring
Europe regularly, and even appeared in an Olympia beer commercial.
A strong series of six more successful Alligator releases followed
through the 1980s and 1990s (Seals also recorded two albums
for other labels during this time), growing Seals' audience
all over the world. Seals shared stages with a wide variety
of blues stars, including B.B. King and Johnny Winter. Even
the popular rock band Phish recognized Seals' talent and power,
covering his song “Funky Bitch” on record and inviting
Seals to join them on stage at many of their tour dates.
Seals
played his last live performances in October 2004 in California.
Survivors
include a sister, Katherine Sims of Chicago, and 14 children.
No
funeral arrangements have been announced at this time.
Alligator Records Discography:
The Son Seals Blues Band (1973)
Midnight Son (1976)
Live And Burning (1978)
Chicago Fire (1980)
Bad Axe (1984)
Living In The Danger Zone (1991)
Nothing But The Truth (1994)
Live-Spontaneous Combustion (1996)
Deluxe Edition (2002)