Sep 28 ­ Henry Townsend, Ron Edwards, Leroy Pierson, Tom Hall

Sep 29 - Arthur Williams Blues Masters

Sep 30 - Willie Johnson Band

Oct 01 - Fontella Bass & Guests

Oct 02 - Oliver Sain's R&B All-Stars

Oct 03 - Big George Brock & The Houserockers

Oct 04 - Silvercloud & Bennie Smith

Says Scorsese: "I've always felt an affinity for blues music ‹ the culture of storytelling through music is incredibly fascinating and appealing to me. The blues have great emotional resonance and are the foundation for American popular music."

Performances in Feel Like Going Home
Corey Harris
John Lee Hooker *
Son House *
Salif Keita
Habib Koité
Taj Mahal
Ali Farka Toure
Otha Turner
Muddy Waters *
Keb' Mo'
Willie King
Lead Belly *

*indicates archival performance

Interviews in Feel Like Going Home
Corey Harris
Sam Carr
Toumani Diabate
Willie King
Dick Waterman
Taj Mahal
Johnny Shines *
Otha Turner
Ali Farka Toure
Habib Koité
Salif Keita
Keb' Mo'

Says Wenders: "These songs meant the world to me. I felt there was more truth in them than in any book I had read about America, or in any movie I had ever seen. I've tried to describe, more like a poem than in a 'documentary,' what moved me so much in their songs and voices."

*indicates archival performance

Says Pearce: "The Blues is a chance to celebrate one of the last truly indigenous American art forms, before it all but disappears, swallowed whole by the rock and roll generation it spawned. Hopefully we'll get there before it's too late."

*indicates archival performance

Says Burnett: "The sound of the blues was a part of my environment that I took for granted. However, as years passed, the blues slowly emerged as an essential source of imagery, humor, irony, and insight that allows one to reflect on the human condition. I always wanted to do a story on the blues that not only reflected its nature and its content, but also alludes to the form itself. In short, a story that gives you the impression of the blues."

*indicates archival performance

Says Levin: "When we were shooting Sam Lay and his band at the Chicago Blues Festival, they were playing Muddy Waters' classic, 'I Got My Mojo Workin.' I closed my eyes and was transported back to when I was a 15-year-old hanging in my buddy's basement listening to the Paul Butterfield Blues Band for the first time. My life was changed that day, and 35 years later the music's still shakin' my soul. The feel of that day in the basement is what I have set out to capture in this film."

*indicates archival performance

During the 1960s, the UK was the location for a vibrant social revolution. London, Liverpool, Birmingham, Manchester and Newcastle all had their own music scenes. Musicians from Belfast and Glasgow moved to London to be part of the club scene there.

The post-war traditional jazz and folk revival movements produced the fertile ground for a new kind of blues music ‹ entirely influenced by the authentic black blues of the USA, and, for the most part, entirely ignored by the good citizens of the US. It was new in the sense that certain key musicians took the blues and molded it in an entirely personal way to fit the new awareness of the UK in the sixties. Importantly, for the most part they continued to pay homage to the originators of the music and to make a huge global audience aware of the likes of Robert Johnson, Muddy Waters, Howlin' Wolf, Freddie King, etc.

Mike Figgis' film examines the circumstances of this vibrant period. Figgis himself participated, albeit in a minor way, in this period of history, playing in a blues band with Bryan Ferry, a band that was the nucleus for the first Roxy Music.

A series of musical interviews with the key players of the blues movement is augmented with a live session at the famous Abbey Road recording studios. Tom Jones, Jeff Beck, Van Morrison, and Lulu all improvise around some classic blues standards, accompanied by a superb band made up of younger and not-so-younger-musicians. The results are electrifying.

Says Figgis: "I'm interested in why there was such excitement about this black music among Europeans. To that end, I've put together a group of these musicians, augmenting the line-up with some younger talent as well. Hopefully the resulting recording session of some blues standards, and the discussions that follow, shine some light on why at a particular moment the blues was reinterpreted abroad and reintroduced in a new form that was universally embraced."

*indicates archival performance

Interviews in Red, White & Blues
Tom Jones
Jeff Beck
Van Morrison
John Porter
Humphrey Lyttelton
George Melly
Lonnie Donnegan
Chris Barber
Eric Clapton
John Mayall
B.B. King
Albert Lee
Chris Farlowe
Bert Jansch
Eric Burdon
Stevie Winwood
Davey Graham
Georgie Fame
Mick Fleetwood
Peter Green

Says Eastwood: "The blues has always been part of my musical life and the piano has a special place, beginning when my mother brought home all of Fats Waller's records. Also, the music has always played a part in my movies. A piano blues documentary gives me a chance to make a film that is more directly connected to the subject of the music than the features that I have been doing throughout my career."