Blues guitar great Hubert Sumlin has been named as
the recipient of the 2007 Sonny Payne Award for Blues Excellence presented
by the Delta Cultural Center, a museum of the Arkansas Department
of Heritage.
The
Sonny Payne Award for Blues Excellence, called the “Sonny,”
is presented annually during the Arkansas Blues and Heritage Festival
in historic downtown Helena-West Helena each October. The award
recognizes an individual or individuals who have strongly influenced
the Blues music of the Arkansas Delta. The honor is named for Sunshine
Sonny Payne, the longtime host of the Peabody Award-winning King
Biscuit Time radio program broadcast each week day from the DCC
Visitors Center at 141 Cherry Street on radio station KFFA-AM in
Helena-West Helena.
Previous
recipients of the “Sonny” are Robert Lockwood Jr., Houston
Stackhouse (posthumously in the award’s inaugural year of
2002,” Sam Carr, Pinetop Perkins, Cedell Davis, John Weston,
James Cotton, David “Honeyboy” Edwards, Michael Burks,
and Willie “Big Eyes” Smith.
Sumlin,
named as honoree for the sixth annual presentation, is possibly
best known for his amazing, influential guitar work for Howlin’
Wolf on Chess Records, particularly in the mid-1960s, standing out
on tracks like “Wang Dang Doodle,” “Killing Floor,”
“Shake For Me,” “300 Pounds of Joy,” and
“Hidden Charms.” Often, he is cited as a major influence
on modern guitarists, including Eric Clapton, Stevie Ray Vaughn,
Jimmy Page, Keith Richards, Bob Weir, Frank Zappa, Jeff Beck, Carlos
Santana, and Jimi Hendrix.
The
Sonny Award presentation is to be a part of Sumlin?s performance
with The Willie “Big Eyes” Smith Band on Saturday evening,
October 6, during the final evening of the three-day Arkansas Blues
and Heritage Festival (formerly the King Biscuit Blues Festival).
Born
at Greenwood, Mississippi, on November 16, 1931, Hubert Sumlin grew
up around the Hughes and West Memphis areas of Arkansas. While still
a small boy, Sumlin began playing the tight length of baling wire
his brother A.D. had nailed to a wall of the home. Soon, his mother
would sacrifice a week’s $5 paycheck to buy eight-year-old
Sumlin his first guitar.
According
to Blues legend, it was a couple of years later when Sumlin attempted
to enter a local juke joint to watch a regional performer he’d
been hearing a lot about, Howlin’ Wolf. Quickly thrown out,
the boy stacked crates up to a window so he could still watch and
listen. When the crates inevitably fell, young Sumlin tumbled through
the window and onto the stage where he found himself face to face
with The Wolf. The owner attempted to haul the boy out of the club
once again, only to be stopped by Wolf, who demanded a chair on
the stage for the child. He ordered that Sumlin be given nothing
but water and be allowed to watch the Wolf’s show with Pat
Hare and Junior Parker. Later on that night, Wolf escorted Sumlin
home and asked the boy’s mother not to punish him because
he’d only wanted to hear the music. Still a teenager, Sumlin
began performing with a similarly young and talented harmonica player
named James Cotton. Wolf heard about them in West Memphis and soon
brought Sumlin into his band and, in 1954, on to Chicago.
Following
Wolf’s death in 1976, Sumlin continued to perform with The
Wolf Gang until 1980, when he left to begin a solo career, stepping
into the spotlight to feature his own vocal talents as well as his
mastery of the guitar. Since, 1987, Sumlin has released solo albums
frequently, including the well-received, star-studded About Them
Shoes in 2003.
For
more information, interested persons can call the Delta Cultural
Center at (870)-338-4350 or toll free at (800)-358-0972 or visit
the DCC online at www.deltaculturalcenter.com.
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