There
are few Bluesmen like Henry Townsend. A longtime St. Louisian, Henry
Townsend is the only Bluesman to have recorded Blues in the last 8
decades. Henry is a reigning patriarch of the Blues, recognized for
his achievments worldwide, and revered in St. Louis - where he recently
performed at his 96th Birthday.
Over the past few years, a series of concerts have been focused on
this elite fraternity of Bluesmen. This has brought artists such as
Henry, Honeyboy Edwards, Homesick James, and Robert Jr. into the national
spotlight, recognition well-deserving these living legends of the
blues.
Henry was kind enough to invite us into his North St. Louis home for
a rare interview, and to share some insight into his long life in
the blues. Thanks goes to John May of the St. Louis Blues Society
for helping arrange the interview.
HENRY TOWNSEND
Q:
California isn't a Blues Mecca, why is that?
A:
Well, I think it's missing the heritage. Mississippi, Memphis, St.
Louis and Chicago have the heritage. Down south is where the Blues
came from. Who's that guy came out of California", Henry asked,
and then sang the lyric "I love my baby'.
John May: "Lowell
Fulsom came out of California, but there's no real blues roots in
California. They have large bands, west coast swing, but no pre-war
blues I know of".
Henry:
Charles Brown was in California when he had those hits, I don't
know if he was from there. I'm thinking of Percy Mayfield. Not much
about California I can say. We (Henry, Homesick James, Honeyboy
Edwards and Robert Jr. Lockwood) started having jam sessions there.
We were flown out to California 4-5 years ago, and played some shows,
several at Yoshi's in San Francisco. I've been everywhere! I made
an effort to live in most cities (laughs).
Q:
You and some other musicians were flown in to Memphis to meet with
and perform with Steven Seagal. What was that experience like?
A:
It was good, something he wanted to do. I enjoyed it!! I think we
both got pleasure out of it. We're both good at what we do...he
sure made a name for himself, though (laughs). He was nice to work
with.
Q:
Were you familiar with Seagal from his movies?
A: Yeah, I knew about him. He carried himself like
he does in his movies, very confident. Pleasant to work with, though.
We just got together and jammed!
Q:
A question Seagal once asked, in one of his movies, was regarding
what makes the soul of a man. What do you think shapes the soul
of a man or woman?
A: That's been asked a million times, in a million
ways. The good book says when man was created, he was complete in
the image of man. That's when he became a living soul. That question
- they're still digging at it! Nothing on earth has the power to
conquer the things we have here on earth. People are struggling
to just be. I think Bush thought we were supreme, and he could boss
the world. Now look at the mess we're in today! If two people at
the top don't get along, give them both swords! Don't send our children
over because they don't get along. Who are we to police things?
Besides, if they ain't go no oil, we have nothing against them!
(laughs) People wouldn't go duck-hunting so often if the ducks had
guns!
Q:
You've had a long, distinguished career, and through your life you've
experienced so many moments in music. What stands out as a favorite
event in your musical career?
A:
(Pauses to reflect) A couple things - I'm pleased at how things
turned out, I've had lots of experiences through the years. I did
something I liked, and I knew I wouldn't be bored. I can pick out
amazing things in Chicago - Sugar Blue reached me pretty good. My
idol was Lonnie Johnson - there was nobody else to be my idol, not
in the guitar field. I played the Wolf Trap in Washington, D.C.
when it was in bloom, that was one of my biggest thrills. My son
Alonzo was with me, we visited the Smithsonian while we were there.
It was his (Alonzo's) last teenage year.
Q:
You sound very proud of him!
A: I am!!
Q:
What does the saying "It ain't a black thing, it ain't a white
thing, it's a blues thing" mean to you?
A: It means what it says. Society builds a wall
between people, it's the nature of people. It's designed to crush
the uderprivelidged. No matter what color you are, there ain't no
help coming from nowhere. Years ago, they didn't even recognize
a guitar, they called it a 'starvation box'. I'll put this out there
to cover what I think it means.....People think you're down when
you sing the blues. Not with me, it's nothing but the truth goin'
on. We're telling stories about our lives. It's like that ZZ Hill
song 'Down Home Blues'. Blues can be a happy thing...it's a good
feeling!
Q:
What do you think about the state of the blues?
A: Blues is eternal! It's the truth and you don't
squash the truth. It's like gospel....it may come out in a million
different ways, but it's still gospel. And it's still the blues!
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